Bacon's Four Intellectual Arts
(from the Advancement of Learning, Book II 1605;
Bizzell
and Herzberg 740-45)
Invention (Inquiry) 740
goal: discover "that which is
sought or propounded"
Of Arts and Sciences
Discovery of "new knowledge"--a Big Idea for the
time
Of Speech and Arguments
A "drawing out" of knowledge we already have, for an "present use"
Really a "remembrance or suggestion"
Two parts: Preparation and
Suggestion
Preparation: The storing up of ready phrases and arguments, in thesi; having lots of "shoes" ready
Suggestion: "topical" invention (common "places"),
useful not only for disputing but for thinking; two types, General and Special
General: use of "common
topics" of which Aristotle proposed 28 and Cicero somewhat more: name,
definition, causes, effects, adjuncts, divisions, etc. Ramus's 10 topics are
common topics. 741
Special: heuristics leading to
knowledge in particular areas or inquiry, such as law, medicine
Judgment (Examination) 741
goal: "judge that which is
invented"
Proofs and Demonstrations
Proofs: two types, Induction and Deduction
Induction: drawn out of ancient
practice in Plato's dialogues, and lending itself to the "exact form of
judgment" in the interpretation of nature
Deduction: proceeds by syllogism,
"most agreeable to the mind of man" because we all like to have
immoveable grounds to base thinking on (Aristotle's First Principles);
syllogism only affords partial judgment, though, in the determining of the
"consequence"
Memory (Custody)
goal: "retain that which is
judged"
Two parts: Writing and
Memory
Writing: two parts, Character and Disposition (entry)
Character: visible language,
grammar
Disposition: Setting down of
studied material in commonplace books, a favorite method of Bacon "A
matter of great use and essence in studying"; but methods of commonplaces
are poor (e.g., Erasmus in Copia?)
Memory: Two parts: Prenotion and Emblem 742
Prenotion: "search strategy" in memory and
recall, working with our "places of memory"
Emblem: "reduceth
conceits intellectual to images sensible" - visual representations,
pictures or symbols? or shorthand?
Tradition (Elocution) 742
goal: "deliver over that
which is retained"
Three parts: The Organ, the
Method, the Illustration of Discourse
Organ: Speech or Writing
Speech: implicitly, represents
"cogitations"
Writing: (New Idea) writing is not
necessarily the representation of speech, as Aristotle said; any symbol system
("whatsoever is capable of sufficient differences" perceivable by the
senses) can express thought ("cogitations")
Method (not in B&H)
Methodical Display
The Aphorism
Illustration: the Art of Rhetoric "a science
excellent, and excellently well laboured"
Duty of
Rhetoric: "To apply Reason to Imagination for the better moving of the
will." 743
Cf.
OED definition of “apply”: I.1.a. To bring into, or place in, more or less
prolonged contact, or effective proximity; to put close to; e.g.
to apply a light, heat, a foot-rule to. Formerly said of
bringing together men or things generally
Reason is
disturbed by three means: by logical fallacy (sophisms) that impede proper
thinking; by "impressions" in the brain's imaginative faculty; by
"affections" that disturb the will
But human
faculties can overcome these problems with proper use of reason, imagination,
and will; rhetoric's special role is to "fill the imagination to second
reason," notably to present the beauty of truth to the faculty of reason
Plato unfairly
criticizes rhetoric (B. shows how rhet can be a positive instrument,
capable of promoting virtue)
Rhet also should persuade the
will through moving affections or passions; reason can present future good to
the imagination to overpower the lust of the affections for the often false,
present or immediately perceived good
Rhetoric works
with logic, it is not separated from it (rejection of Ramus' system) 744
Major
distinctions: Logic handles "reason exact and in truth"; rhetoric
handles it "as it is planted in popular opinions and manners"
Aristotle right
to place rhetoric between logic and political science, as participating in both
Audience is the
highest consideration, both in public and private discourse
returns to "preparatory
invention" strategies
Antitheta: having pro and con
arguments ready on common topics
Formulae:
transitional or introductory passages for connecting discourse
Idols and False Notions (from Novum
organum 1620)
Idols of the Tribe--The limitations of human nature,
constrained to view the world through imperfect senses and understand with
imperfect mental processes
Idols of the Cave--The limitations of individual perceptions,
which are results of personal and environmental characteristics.
Idols of the Marketplace--The limitations imposed by the
community through language; more generally, the limitations of language as a
social tool (?)
Idols of the Theatre--Limitations of philosophic systems,
including logical proofs and scientific demonstrations; includes the problem of
word meanings and separation of language from real things; "words react on the
understanding" in negative ways to cause obscurity and error